Course calendar 2010

February

Wednesday 10th - Sunday 14th

Salliann Putman

Moving on

Thursday 18th - Sunday 21st

David Embry

General Painting and Improvement of drawing

Thursday 25th - Sunday 28th

Liz Seward Relfe

Drawing, watercolour and mixed media

MARCH

Tuesday 2nd - Friday 5th

Liz Seward Relfe

Drawing, watercolour and mixed media

Saturday 6th - Tuesday 9th

Soraya French

Mixed Media Workshop covering a broad range of media and subject matter with emphasis on exciting texture effects

Thursday 11th - Sunday 14th

Paul Banning

Oil Workshop

Tuesday 16th - Friday 19th

Jane Evans

Chinese Brush Painting

Saturday 20th - Saturday 27th

Ken Paine

Portraits and Body Language

#(see booking form)

Saturday 27th - Saturday 3rd April

Steve Hall

Spring into Art - An opportunity to get your watercolour painting underway along the coast and in the countryside of East Anglia

April

Saturday 3rd - Saturday 10th

David Embry

General Painting and Improvement of Drawing

Saturday 10th - Saturday 17th

Ann Swan

Drawn to Botany

Saturday 17th - Saturday 24th

Wendy Jelbert and Paul Robinson

A husband and wife partnership of Artist and Architect. Tricks of the trade in watercolour, use of sketch books and pen drawing with assorted washes. Plus how to draw and understand buildings and place tham in a convincing landscape

Saturday 24th - Saturday 1st May

Roger Dellar

Painting in oils, working indoors and out. Painting from your own photographic references or plein air

May

Saturday 1st - Saturday 8th

Colin and Maureen Radcliffe

Watercolour, Flowers and Landscape

Saturday 8th - Saturday 15th

John Yardley

Purely demonstration in Watercolour

Saturday 15th - Saturday 22nd

David Napp

The beauty of Pastel. Colour, light and movement expressed through the pastel medium.

David will offer guidance through demonstration and personal tuition on yhe capturing of a landscape in pastel in a series of different settings: The studio, the resplendent gardens and on location around the Suffolk coast, together with still life for those difficult weather days...

Saturday 22nd - Saturday 29th

Paul Banning

Paul has had 20 years experience in teaching watercolours at all levels. He is a sensitive and tolorant teacher, and his courses are warm and friendly making them suitable for all ranges of ability. Students will be asked to paint directly from the subject whenever possible., but backed up by concentrated work in the studio if the weather is unsuitable., learning complexities of this amazing mudium.

June

Saturday 29th May - Saturday 5th

David Howell

Landscape and Marine painting,drawing and thinking about it

Saturday 5th - Saturday 12th

Winston Oh

Watercolour

Saturday 12th - Saturday 19th

Andrew Pitt

Freshen up your Watercolours and Oils

Saturday 19th - Saturday 26th

Soraya French

Flowers and Landscape in Mixed Media

Saturday 26th - Saturday 3rd July

Brian Oxley

Open minded approach to landscape and still life. Painting in any medium

July

Saturday 3rd - Saturday 10th

Ray Balkwill

Students will be encouraged to paint and sketch in their chosen medium, working in-situ as much as possible at some stunning costal and country locations. Ray has been teaching for nearly 20 years and is highly regarded as a sensitive and patient teacher with a good sense of humour. Alongside the weeks painting will be a balanced mix of demonstrations, critiques and talks. This course is suitable for all levels of ability except beginners.

Saturday 10th - Saturday 17th

Mo Teeuw

Improve your techniques in OIl and Watercolour. Beginners welcome too

Saturday 17th - Saturday 24th

Paul Banning

Saturday 24th - Saturday 31st

Roger Dellar

Pastel and Watermedia (work on paper) Painting from your own photographic references or plein air, useing any of the following - watercolour, gouache, acrylics and pastels

August

Saturday 31st July - Saturday 7th

Liz Seward Relfe

Drawing, Watercolour and Mixed Media

Saturday 7th - Saturday 14th

John Yardley

Purely demonstration in Watercolour

Saturday 14th - Saturday 21st

Colin and Maureen Radcliffe

Watercolour, Flowers and Landscape

Saturday 21st - Saturday 28th

David Embry

General painting and improvement of drawing

September

Saturday 28th August - Saturday 4th

David Napp

The beauty of Pastel. Colour, light and movement expressed through the pastel medium.

Summer studios: David will offer guidance through demonstration and personal tuition on yhe capturing of a landscape in pastel in a series of different settings: The studio, the resplendent gardens and on location around the Suffolk coast, together with still life for those difficult weather days...

Saturday 4th - Saturday 11th

Ann Swan

Drawn to Botany

Saturday 11th - Saturday 18th

Liz Seward Relfe

Drawing, Watercolour and Mixed Media

Saturday 18th - Saturday 25th

Lynda Appleby

Landscapes with impact. Taking our inspiration from the surrounding Constable Country we will explore the key elements that can turn an ordinary landscape painting into a dynamic work with impact. We will practice various techniques for painting realistic skies, water and trees, aloung with drawing and understanding composition which will underpin this course. We will also explore different colour palettes to create the atmospheric settings of this landscape that have inspired Constable and modern artists alike.

Saturday 25th - Saturday 2nd October

Steve Hall

East Anglia - Coast and Country - Watercolour

October

Saturday 2nd - Saturday 9th

Winston Oh

Watercolour

Tuesday 12th - Friday 15th

Jane Evans

Chinese Brush Painting

Saturday 16th - Saturday 23rd

Salliann Putman

Moving On

Saturday 23rd - Saturday 30th

Roger Dellar

Painting Oils - Working in the studio from portrait, the figure and still life # see booking form

Saturday 30th - Saturday 6th November

John Lowry

Towards the Abstract. Abstract painting follows the same rules and concepts as realistic painting but relies on the imagination rather than the simple copying of what is there. We study the tools of the abstraction and the approaches of successful abstract artistsand we adopt those we favour into our own practice to produce startling images lying somewhere between the realistic and the abstract. John favours Pastel for abstract work because it is infinitely flexible - but the course applies equally to other media

November

Saturday 6th - Saturday 13th

David Napp

The beauty of Pastel. Colour and tone expressed through the Pastel Medium

Studio sessions. Pastel as a colourist medium. A slightly more abstract attitude to pastel, looking at the nude in terms of pastel colour, interspersed with decorative still life influenced by richly coloured fabrics.

Art Courses

Booking form

Course calendar 2010